Gladiators of Pompeii
Inspired by Auguste Louis Lepère (French, 1849–1918) · Cleveland Museum of Art
Order today — delivery by 21 Aug
Swords meet shields on sand while a net-bearer circles his cornered opponent, the tiered crowd pressed shoulder to shoulder above, and Vesuvius smoking on the horizon — the spectacle and the doom held in a single frame. Auguste Lepère engraved this scene in 1884 for a series on Italy, and the original wood engraving is held in the collection of the Cleveland Museum of Art. Here it becomes a single continuous piece of laser-cut steel.
Lepère was among the great revivers of wood engraving in late 19th-century France, a craftsman who pushed the medium toward painterly density. This arena scene gathers everything the form could carry: the texture of a packed amphitheater, parasols above the stands, the diagonal thrust of tridents and spears, and the volcano that would one day end it all. The detail rewards close looking and reads clearly from across a room.
Cut from a single sheet of 2mm low-carbon steel, every fighter, arch, and spectator stays structurally connected — no welding, no assembly, no separate pieces joined afterward. The laser follows Lepère's dense linework precisely, preserving the crowd as a continuous lattice of figures. The panel is powder-coated for lasting protection, or finished in corten steel that develops its own patina with time.
Mounted on standoff spacers, the panel floats 15mm from the wall. Ambient light passes through the gaps between figures and casts a layered shadow behind the steel — the arena rendered twice, once in metal and once in light. As the sun moves, the crowd seems to shift and the eruption deepens.
Available in four finishes — matte black for the sharpest contrast against light walls, matte white for a quieter presence, raw steel with a clear protective coat for industrial warmth, and corten rust for a weathered patina that suits the ancient subject. Five sizes run from S (45 cm) to XXL (130 cm) on the longer side, scaled to the engraving's proportions. Weight ranges from approximately 1.5 kg to 8 kg.
Part of the cultural collection and the Roman art selection. For more historical conflict, see the Siege of Rhodes, and review all finishes and sizing in the craft and delivery guide.
Each panel is laser-cut from a single sheet of steel — no assembly, no seams.
The result is a shadow-casting sculpture that transforms any wall into a gallery.
- Material
- 2mm low-carbon steel
- Technique
- Laser-cut CNC
- Mounting
- Wall standoffs (25mm, included)
- Lead time
- 7–14 business days
- Category
- cultural
- Style
- line_art_panel
Each panel is made to order. Estimated production and delivery time: 7-14 business days.
- Mark position on the wall
- Install included standoff anchors
- Hang the panel
Invisible standoff mounting creates a 3D shadow effect.
Artwork Origin
- Title: Italy. The Festival of Pompei, The circus of gladiators
- Artist: Auguste Louis Lepère (French, 1849–1918)
- Source: Cleveland Museum of Art
See It In Your Space
See how this panel lives in different spaces
Visualizations are digitally rendered and may differ from the actual product.
Frequently Asked Questions
This panel draws from "Italy. The Festival of Pompei, The Circus of Gladiators" by Auguste Lepère (French, 1849–1918), a wood engraving created in 1884 for a series on Italy. The original is held in the collection of the Cleveland Museum of Art and depicts gladiatorial combat beneath an erupting Mount Vesuvius.
Each panel is laser-cut from a single sheet of 2mm low-carbon steel. The entire scene — gladiators, spectators, arches, and the volcano — remains one continuous, structurally connected piece. The dense crowd reads as a single lattice of figures. No welding or assembly required.
The panel ships with standoff spacers and wall anchors. Mount the spacers to the wall, then attach the panel. The 15mm gap creates a floating effect, and ambient light passing through the figures casts a layered shadow behind the steel that shifts throughout the day.
Four options: Matte Black for the sharpest contrast against light walls, Matte White for a quieter presence, Raw Steel with a clear protective coat for an industrial aesthetic, and Corten Rust for a warm weathered patina that develops naturally over months and suits the ancient subject.
Five sizes scaled to preserve the engraving's proportions: S (45 cm), M (60 cm), L (80 cm), XL (100 cm), and XXL (130 cm) on the longer side. The shorter side follows the original aspect ratio. Weight ranges from approximately 1.5 kg to 8 kg depending on size and design complexity.
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